Front Cover for the novel Honeymoon by artist Lateefa Spiker

I have the artist’s permission to feature one of her pictures for the front cover of Honeymoon, my new, soon to be published novel, a mystery and a love story.

The embroidered silver moon, unravelling piece by piece is a captivating image and so apt for the story of a honeymoon disintegrating under the weight of harsh facts.

Revelations of a murky past threaten to ruin the fledgling marriage when Rosie and Fergal Pierce are on honeymoon on the west coast of Ireland

A raft of characters, living and dead, persuade Rosie to give Fergal a second chance.

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The Field

Unknown

The film of the play is set on the bleak coastal hillside on the West coast of Ireland.

The way of life depicted has all but disappeared, but one wonders if the sentiment remains, running through to the bone like turf down to barren rock: stark: bigoted, corrupt, inward looking, fixated on injustice, death and starvation. For the blood and bone of millions, starved and evicted, sank back into the land, or was shipped off to die far away from home.

And yet the father’s grief for a son who has committed suicide, the mother’s for the son denied a christian burial by the church as cruel and unforgiving as the land, the desperate need for survival and the bitter memory of the Great Hunger and inhumane treatment by foreign landlords, is all too poignant. The American looking for his roots, unable to marry the static old world with the thrusting new, spills his blood or has it spilt for him into the earth too.

My latest novel, (currently looking for a publishing home) is set on the West Coast from whence my ancestors emigrated, touches on more recent Irish history. It fails to capture the gut wrench emotion of The Field but does encapsulate the need for change, forgiveness and the all too English incomprehension of a people whom for hundreds of years they have tried and failed to subjugate.